"Elegie, Op. 30: Elegie for Viola and Piano, Op. 30" by Henri Vieuxtemps, Roberto Díaz, Robert Koenig was released on July 11, 2002. Since Elegie, Op. 30: Elegie for Viola and Piano, Op. 30 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vieuxtemps: Viola and Piano Music by Henri Vieuxtemps. The song's track number on the album is #4 out of 8 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Elegie, Op. 30: Elegie for Viola and Piano, Op. 30 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Elegie, Op. 30: Elegie for Viola and Piano, Op. 30 by Henri Vieuxtemps, Roberto Díaz, Robert Koenig has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Elegie, Op. 30: Elegie for Viola and Piano, Op. 30 being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
Ballade No. 2 in F Major, Op. 38 | Frédéric Chopin, Krystian Zimerman | F Major | 1 | 7B | 64 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo Philharmonic Orchestra, Oslo-Filharmonien | B♭ Major | 3 | 6B | 169 BPM | ||
Violin Partita No. 2 in D Minor, BWV 1004: III. Sarabande | Johann Sebastian Bach, Hilary Hahn | C Major | 1 | 8B | 82 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Cello Concerto No. 1 in G Minor, Op. 49: I. Allegro | Dmitry Kabalevsky, Torleif Thedéen, Hannover Radio Philharmonic Orchestra, Eiji Oue | C Major | 1 | 8B | 139 BPM | ||
Rachmaninov: 6 Moments Musicaux, Op. 16: No. 4 in E Minor | Sergei Rachmaninoff, Nikolai Lugansky | E Minor | 3 | 9A | 98 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: II. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | D Minor | 2 | 7A | 148 BPM | ||
Piano Concerto No.1 In F Sharp Minor, Op.1: 3. Allegro vivace | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 2 | 4A | 89 BPM |
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