Serenade for tenor, horn & strings, Op. 31: Elegy - O Rose, Thou Art Sick
Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra
Britten: Serenade for tenor, horn and strings; Les Illuminations; Nocturne
4:02 January 1, 1993
BPM
96
Key
F Major
Camelot
7B

Embed

Share Link

Serenade for tenor, horn & strings, Op. 31: Elegy - O Rose, Thou Art Sick - Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra Information

Acousticness
98%
Danceability
12%
Energy
3%
Instrumentalness
42%
Liveness
11%
Loudness
62%
Speechiness
4%
Valence
4%
Popularity
Loudness
-22.609 dB

Summary

"Serenade for tenor, horn & strings, Op. 31: Elegy - O Rose, Thou Art Sick" by Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra was released on January 1, 1993. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 26 in Britten: Serenade for tenor, horn and strings; Les Illuminations; Nocturne by Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra, English Chamber Orchestra. In terms of popularity, Serenade for tenor, horn & strings, Op. 31: Elegy - O Rose, Thou Art Sick is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Serenade for tenor, horn & strings, Op. 31: Elegy - O Rose, Thou Art Sick BPM

The tempo marking of Serenade for tenor, horn & strings, Op. 31: Elegy - O Rose, Thou Art Sick by Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Serenade for tenor, horn & strings, Op. 31: Elegy - O Rose, Thou Art Sick Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck by Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors BerlinSymphony No. 3: V. Lustig im Tempo und keck im AusdruckGustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors BerlinF Major17B111 BPM
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem by Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard GriffithsLove's Labour's Lost, Op. 28a: III. Dumaine's PoemGerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard GriffithsG Minor16A105 BPM
Symphony No. 3 in D Minor, Part II: IV. Sehr langsam - Misterioso by Gustav Mahler, Leonard Bernstein, New York PhilharmonicSymphony No. 3 in D Minor, Part II: IV. Sehr langsam - MisteriosoGustav Mahler, Leonard Bernstein, New York PhilharmonicA Major011B82 BPM
Billy Budd: We are, sir. Claggart is an able one...Land on the port bow, sir (First Lieutenant/Vere/Sailing Master/Ratcliffe) by Benjamin Britten, Daniel Harding, London Symphony OrchestraBilly Budd: We are, sir. Claggart is an able one...Land on the port bow, sir (First Lieutenant/Vere/Sailing Master/Ratcliffe)Benjamin Britten, Daniel Harding, London Symphony OrchestraC Minor15A87 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'AlcalaGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezF Minor04A60 BPM
Billy Budd: Blow her away, Blow her to Hilo (Red Whiskers/Chorus/Billy/Donald/Dansker) by Benjamin Britten, Daniel Harding, London Symphony OrchestraBilly Budd: Blow her away, Blow her to Hilo (Red Whiskers/Chorus/Billy/Donald/Dansker)Benjamin Britten, Daniel Harding, London Symphony OrchestraF Minor44A73 BPM
5 Stücke im Volkston, Op. 102: 1. Vanitas vanitatum (Mit Humor) by Robert Schumann, Mstislav Rostropovich, Benjamin Britten5 Stücke im Volkston, Op. 102: 1. Vanitas vanitatum (Mit Humor)Robert Schumann, Mstislav Rostropovich, Benjamin BrittenB Minor110A86 BPM
La Mer, L.109: 3. Dialogue Of The Wind And The Sea by Claude Debussy, Orchestre Symphonique de Montréal, Charles DutoitLa Mer, L.109: 3. Dialogue Of The Wind And The SeaClaude Debussy, Orchestre Symphonique de Montréal, Charles DutoitD♭ Major23B83 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. PrestoFelix Mendelssohn, London Symphony Orchestra, Claudio AbbadoA Minor18A100 BPM
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) by Hector Berlioz, Chicago Symphony Orchestra, Claudio AbbadoSymphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo)Hector Berlioz, Chicago Symphony Orchestra, Claudio AbbadoA Major111B84 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7755634784698486

End: 0.781085729598999