"Billy Budd: Blow her away, Blow her to Hilo (Red Whiskers/Chorus/Billy/Donald/Dansker)" by Benjamin Britten, Daniel Harding, London Symphony Orchestra was released on September 15, 2008. The duration of Billy Budd: Blow her away, Blow her to Hilo (Red Whiskers/Chorus/Billy/Donald/Dansker) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Billy Budd: Blow her away, Blow her to Hilo (Red Whiskers/Chorus/Billy/Donald/Dansker)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 42 in Britten: Billy Budd by Benjamin Britten, Daniel Harding, London Symphony Orchestra. Billy Budd: Blow her away, Blow her to Hilo (Red Whiskers/Chorus/Billy/Donald/Dansker) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Billy Budd: Blow her away, Blow her to Hilo (Red Whiskers/Chorus/Billy/Donald/Dansker) by Benjamin Britten, Daniel Harding, London Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Messa da Requiem - Libera me: VIId. Libera me, Domine | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker | C Major | 3 | 8B | 113 BPM | ||
Brandenburg Concerto No. 2 in F, BWV 1047: 1. (Allegro) | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
A Sea Symphony: III. Scherzo - The Waves (Allegro brillante) | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Major | 2 | 9B | 169 BPM | ||
Serenade for tenor, horn & strings, Op. 31: Pastoral - The Day's Grown Old | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | F♯ Major | 1 | 2B | 145 BPM | ||
Britten: An American Overture, Op. 27 | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 0 | 8A | 80 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM |
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