Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic made "Piano Concerto No. 2 in F Major, Op. 102: I. Allegro" available on October 17, 2011. Since Piano Concerto No. 2 in F Major, Op. 102: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Shostakovich: Symphony No. 5 and Piano Concerto No. 2". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Piano Concerto No. 2 in F Major, Op. 102: I. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Piano Concerto No. 2 in F Major, Op. 102: I. Allegro by Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hexapoda: No. 5, Till Dawn Sunday | Robert Russell Bennett, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Noviy Vavilon (New Babylon), Op. 18 (original manuscript version): Reel 1, General Sale: War - Death to the Prussians | Dmitri Shostakovich, Basel Sinfonietta, Mark Fitz-Gerald | D Minor | 1 | 7A | 159 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 78 BPM | ||
Piano Quartet No. 3 in C Minor, Op. 60: I. Allegro non troppo | Johannes Brahms, Giovanni Guzzo, Mate Szucs, Miklós Perényi, Dénes Várjon | C Minor | 1 | 5A | 105 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations XV & XVI | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: IV. Allegro con brio (live) | Dmitri Shostakovich, Martha Argerich, Alexander Verdernikov, Orchestra della Svizzera Italiana | D♭ Major | 4 | 3B | 80 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Concertante Variationen über ein Thema von Beethoven für Klavier und Orchester: III. Ruhig fließend - Arr. For 2 Hands by Friedrich Wührer | Franz Schmidt, Friedrich Wührer, Ragna Schirmer, Andrey Boreyko, Hamburg Symphony Orchestra | F♯ Minor | 2 | 11A | 107 BPM | ||
Le carnaval des animaux, R. 125: 6. Kangourous | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | C Minor | 0 | 5A | 144 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): II. Presto | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM |
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