"Concertante Variationen über ein Thema von Beethoven für Klavier und Orchester: III. Ruhig fließend - Arr. For 2 Hands by Friedrich Wührer" by Franz Schmidt, Friedrich Wührer, Ragna Schirmer, Andrey Boreyko, Hamburg Symphony Orchestra was released on 2004. The duration of Concertante Variationen über ein Thema von Beethoven für Klavier und Orchester: III. Ruhig fließend - Arr. For 2 Hands by Friedrich Wührer is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Concertante Variationen über ein Thema von Beethoven für Klavier und Orchester: III. Ruhig fließend - Arr. For 2 Hands by Friedrich Wührer's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Schmidt: Concertante Variationen & Piano Concerto, Op. 61a". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Concertante Variationen über ein Thema von Beethoven für Klavier und Orchester: III. Ruhig fließend - Arr. For 2 Hands by Friedrich Wührer is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concertante Variationen über ein Thema von Beethoven für Klavier und Orchester: III. Ruhig fließend - Arr. For 2 Hands by Friedrich Wührer by Franz Schmidt, Friedrich Wührer, Ragna Schirmer, Andrey Boreyko, Hamburg Symphony Orchestra having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in C Major "Requiem für meine Tochter": IV. Tempo primo un poco sostenuto - Passionato - Tempo primo. Allegro molto moderato | Franz Schmidt, Rudolph Moralt, Wiener Symphoniker | C Major | 2 | 8B | 102 BPM | ||
Studies in Form of Free Variations on a Theme By Beethoven, WoO 33: Etude C7 | Robert Schumann, Ragna Schirmer | A♭ Minor | 2 | 1A | 131 BPM | ||
交響曲 第2番 ニ短調 Op. 73 III- Allegretto grazioso (Quasi Andantino) | Johannes Brahms, Stanisław Skrowaczewski, Yomiuri Nippon Symphony Orchestra | C Major | 0 | 8B | 87 BPM | ||
Notre Dame: Intermezzo | Franz Schmidt, Staatskapelle Dresden, Silvio Varviso | D♭ Major | 2 | 3B | 91 BPM | ||
Symphony No.4 in A (Italian): Second Movement (Pilgrim's March) | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
Horn Concerto in C Minor, Op. 8: I. Allegro moderato | Franz Strauss, Samuel Seidenberg, Frankfurt Radio Symphony Orchestra, Sebastian Weigle | E♭ Major | 1 | 5B | 112 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Suite from "Pelléas et Mélisande", Op. 46: IV. A Spring in the Park | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | D Minor | 0 | 7A | 88 BPM | ||
Lyric Suite, Op. 54: I. Gjetergutt (Shepherd Boy): Andante espressivo | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | A Minor | 1 | 8A | 140 BPM |
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