- BPM
- 83
- Key
- D♭ Major
- Camelot
- 3B
La Mer, L.109: 3. Dialogue Of The Wind And The Sea - Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit Information
- Acousticness
- 89%
- Danceability
- 10%
- Energy
- 16%
- Instrumentalness
- 89%
- Liveness
- 8%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 12%
- Loudness
- -19.739 dB
Summary
"La Mer, L.109: 3. Dialogue Of The Wind And The Sea" by Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1989. Since La Mer, L.109: 3. Dialogue Of The Wind And The Sea is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 9 in Debussy: La Mer; Jeux; Prélude à l'après-midi d'un faune; Le Martyre de Saint Sébastien (Symphonic Fragments) by Claude Debussy, Charles Dutoit, Orchestre Symphonique de Montréal. La Mer, L.109: 3. Dialogue Of The Wind And The Sea is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Mer, L.109: 3. Dialogue Of The Wind And The Sea BPM
The tempo marking of La Mer, L.109: 3. Dialogue Of The Wind And The Sea by Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
La Mer, L.109: 3. Dialogue Of The Wind And The Sea Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | |
 | Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | |
 | Pictures At An Exhibition: The Tuileries Gardens | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Minor | 0 | 2A | 105 BPM | |
 | Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | |
| Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | |
 | Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | |
 | Symphony No. 6 In B Minor, Op. 74, TH.30: 2. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov | D Major | 1 | 10B | 140 BPM | |
 | 6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | |
 | Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | |
 | Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | A Major | 1 | 11B | 113 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7160887718200684
End: 0.7193825244903564