"5 Stücke im Volkston, Op. 102: 1. Vanitas vanitatum (Mit Humor)" by Robert Schumann, Mstislav Rostropovich, Benjamin Britten was released on January 1, 1962. The duration of 5 Stücke im Volkston, Op. 102: 1. Vanitas vanitatum (Mit Humor) is about 3 minutes long, at 3:29. Based on our data, "5 Stücke im Volkston, Op. 102: 1. Vanitas vanitatum (Mit Humor)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Schumann: Chamber Music". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. 5 Stücke im Volkston, Op. 102: 1. Vanitas vanitatum (Mit Humor) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Stücke im Volkston, Op. 102: 1. Vanitas vanitatum (Mit Humor) by Robert Schumann, Mstislav Rostropovich, Benjamin Britten having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Mstislav Rostropovich, Gennady Rozhdestvensky, Moscow Philharmonic Orchestra | E♭ Minor | 0 | 2A | 74 BPM | ||
Sonata in E Major, Kk. 380 | Domenico Scarlatti, Daniel Barenboim | B♭ Major | 0 | 6B | 126 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Concerto for Violin & Viola with Orchestra in E Minor, Op. 88: I. Andante con moto | Max Bruch, Yuri Bashmet, Neeme Järvi | E Minor | 1 | 9A | 90 BPM | ||
Strauss, R, String Sextet from Capriccio, Op. 65 | Richard Strauss, Artemis Quartet, Thomas Kakuska, Valentin Erben | F Major | 1 | 7B | 82 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Variation 2 | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 70 BPM | ||
12 Etudes d'exécution transcendante, S.139: No.2 Molto vivace | Franz Liszt, Daniil Trifonov | D Minor | 3 | 7A | 118 BPM | ||
Peter Grimes, Op. 13: Act III Scene I: Embroidery in childhood was (Ellen, Balstrode) | Benjamin Britten, Giselle Allen, David Kempster, Steuart Bedford, Britten-Pears Orchestra | B Minor | 1 | 10A | 89 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857 | Daniel Barenboim | F Minor | 1 | 4A | 71 BPM | ||
Cello Concerto No.1, Op.107: 4. Allegro con moto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | A♭ Major | 2 | 4B | 143 BPM |
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