Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857' came out on 2004. With Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857 being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857 by Daniel Barenboim is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For Piano And Violin In F, "für Anfänger", K.547: 1. Andantino cantabile | Wolfgang Amadeus Mozart, Itzhak Perlman, Daniel Barenboim | F Major | 0 | 7B | 95 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Nocturne No.13 In C Minor, Op.48 No.1 | Frédéric Chopin, Daniel Barenboim | C Major | 0 | 8B | 73 BPM | ||
10 Préludes, Op. 23: No. 4. Andante cantabile in D Major | Sergei Rachmaninoff, Nikolai Lugansky | A Major | 1 | 11B | 172 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso - "Spring Song" | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 95 BPM | ||
Estampes, L. 100: 2. La soirée dans Grenade | Claude Debussy, Daniel Barenboim | F♯ Major | 0 | 2B | 62 BPM | ||
Wagner: Tristan und Isolde: Prelude to Act 3 | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker | F Minor | 0 | 4A | 150 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Joseph Haydn, Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | D♭ Minor | 1 | 12A | 84 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM |
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