"Das Berliner Requiem (1929): 5. Second Poem on the Unknown Soldier: Recitaitve" by Kurt Weill, Benjamin Luxon, London Sinfonietta, David Atherton was released on January 1, 1976. Since Das Berliner Requiem (1929): 5. Second Poem on the Unknown Soldier: Recitaitve is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #19 out of 42 tracks. The popularity of Das Berliner Requiem (1929): 5. Second Poem on the Unknown Soldier: Recitaitve is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Berliner Requiem (1929): 5. Second Poem on the Unknown Soldier: Recitaitve by Kurt Weill, Benjamin Luxon, London Sinfonietta, David Atherton has a tempo of 168 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Das Berliner Requiem (1929): 5. Second Poem on the Unknown Soldier: Recitaitve being at 168 BPM, the half-time would be 84 BPM with a double-time of 336 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trois Mélodies: Les Anges | Erik Satie, Barbara Hannigan, Reinbert de Leeuw | E Minor | 1 | 9A | 132 BPM | ||
Dialogues des Carmelites, FP 159: Act III Scene 4: Salve Regina (La Foule, Les Carmelites, Constance, Blanche) | Francis Poulenc, Jean-Philippe Lafont, Sally Matthews, Yann Beuron, Deborah Polaski, Heidi Brunner, Michelle Breedt, Hendrickje van Kerckhove, Magdalena Anna Hofmann, Christa Ratzenböck, Jürgen Sacher, Matjaz Robavs, Erik Arman, Craig Smith, Dominik Koninger, Nenad Marinkovic, Arnold Schoenberg Chor, Vienna Radio Symphony Orchestra, Bertrand de Billy | F Major | 2 | 7B | 76 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): IV. Koelkov's Dance with Friends (Tango) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Minor | 2 | 2A | 144 BPM | ||
Treemonisha / Act one: No. 1 Overture | Scott Joplin, Houston Grand Opera Orchestra, Gunther Schuller | B♭ Major | 3 | 6B | 154 BPM | ||
Stabat Mater: Stabat Mater: I. Stabat mater dolorosa | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | A Minor | 1 | 8A | 135 BPM | ||
L’opéra de quat'sous, Act I: Ouverture | Kurt Weill, Le Balcon, Maxime Pascal | E♭ Minor | 1 | 2A | 125 BPM | ||
Alabama-Song (with Max Raabe) | Kurt Weill, Palast Orchester, Max Raabe, H.K. Gruber | G Major | 8 | 9B | 138 BPM | ||
Carmen: Prelude - les Toreadors - Habanera - Danse Boheme - Chanson du Toreador | Georges Bizet, tenThing | D Minor | 2 | 7A | 148 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Offenbach: Les contes d'Hoffmann, Act II: "Les oiseaux dans la charmille" (Olympia) | Jacques Offenbach, Natalie Dessay, Patrick Fournillier, Monte-Carlo Philharmonic Orchestra | A♭ Major | 0 | 4B | 174 BPM |
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