Kurt Weill, Le Balcon, Maxime Pascal made "L’opéra de quat'sous, Act I: Ouverture" available on September 22, 2023. With L’opéra de quat'sous, Act I: Ouverture being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weill, Brecht & Hauptmann: L'opéra de quat'sous by Kurt Weill, Le Balcon, Maxime Pascal. The song's track number on the album is #2 out of 57 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, L’opéra de quat'sous, Act I: Ouverture's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since L’opéra de quat'sous, Act I: Ouverture by Kurt Weill, Le Balcon, Maxime Pascal has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With L’opéra de quat'sous, Act I: Ouverture being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzo a la russe (original Jazz band version, 1944) | Igor Stravinsky, Orchestra of St. Luke's, Robert Craft | G Major | 3 | 9B | 130 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 2. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM | ||
Symphonie romantique, "La nuit des tropiques" (a Night in the Tropics): II. Festa Criolla | Louis Moreau Gottschalk, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | G Major | 1 | 9B | 124 BPM | ||
In a Monastery Garden | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | F Major | 1 | 7B | 102 BPM | ||
Nabucco / Act 3: "Va, pensiero, sull'ali dorate" | Giuseppe Verdi, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | D♭ Major | 1 | 3B | 77 BPM | ||
Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
Die Dreigroschenoper: Akt II, Die Seeräuber-Jenny oder Träume eines Küchenmädchens ("Meine Herren, heute sehen Sie mich Gläser abwaschen") | Kurt Weill, Wolfgang Neuss, Lotte Lenya, Wilhelm Brückner-Rüggeberg | F Minor | 1 | 4A | 81 BPM | ||
Au bord de l'eau | Patricia Petibon | C Minor | 1 | 5A | 66 BPM |
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