"Requiem, Op. 48: VIII. In Paradisum" by Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris was released on November 3, 2008. The duration of Requiem, Op. 48: VIII. In Paradisum is about 3 minutes long, at 3:18. Based on our data, "Requiem, Op. 48: VIII. In Paradisum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 9 in Fauré: Requiem by Gabriel Fauré, Accentus, Laurence Equilbey. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Requiem, Op. 48: VIII. In Paradisum is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 48: VIII. In Paradisum by Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM | ||
Tout un monde lointain…: Tout un monde lointain…: II. Regard | Henri Dutilleux, Victor Julien-Laferrière, Orchestre National De France, David Robertson | D♭ Major | 1 | 3B | 84 BPM | ||
Les Contes d'Hoffmann / Act 3: "Tu ne chanteras plus?" | Jacques Offenbach, James Morris, Edita Gruberova, Christa Ludwig, Orchestre National De France, Seiji Ozawa | G Minor | 2 | 6A | 83 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Rex tremendae - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 3 | 6A | 108 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Magnificat | Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul Hillier | F Minor | 0 | 4A | 81 BPM | ||
Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 59 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM |
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