"Offenbach: Les contes d'Hoffmann, Act II: "Les oiseaux dans la charmille" (Olympia)" by Jacques Offenbach, Natalie Dessay, Patrick Fournillier, Monte-Carlo Philharmonic Orchestra was released on February 18, 1997. With this song being about 5 minutes long, at 5:24, "Offenbach: Les contes d'Hoffmann, Act II: "Les oiseaux dans la charmille" (Olympia)" by Jacques Offenbach, Natalie Dessay, Patrick Fournillier, Monte-Carlo Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Natalie Dessay - Airs d'Opéras Francais". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. The popularity of Offenbach: Les contes d'Hoffmann, Act II: "Les oiseaux dans la charmille" (Olympia) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Offenbach: Les contes d'Hoffmann, Act II: "Les oiseaux dans la charmille" (Olympia) by Jacques Offenbach, Natalie Dessay, Patrick Fournillier, Monte-Carlo Philharmonic Orchestra having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcina / Act 1: Tornami a vagheggiar | George Frideric Handel, Patricia Petibon, Venice Baroque Orchestra, Andrea Marcon | A Major | 1 | 11B | 133 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Poulenc: Les chemins de l'amour, FP 106 | Francis Poulenc, Véronique Gens, Roger Vignoles | D♭ Major | 1 | 3B | 72 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria: "Un pensiero nemico di pace" (Bellezza) | George Frideric Handel, Natalie Dessay, Emmanuelle Haïm | F♯ Minor | 3 | 11A | 128 BPM | ||
Les Contes d'Hoffmann - Arr. M. Moszkowski: Barcarolle | Jacques Offenbach, Jean-Yves Thibaudet | A Major | 1 | 11B | 169 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 3: Air. "J'ai perdu mon Eurydice" (Orphée) | Christoph Willibald Gluck, Anne Sofie von Otter, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | G Major | 1 | 9B | 91 BPM | ||
Il Sedecia, Rè di Gerusalemme: "Caldo Sangue" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B♭ Minor | 0 | 3A | 82 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM |
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