"Stabat Mater: Stabat Mater: I. Stabat mater dolorosa" by Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss was released on March 10, 2014. With this song being about 5 minutes long, at 4:50, "Stabat Mater: Stabat Mater: I. Stabat mater dolorosa" by Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Poulenc: Stabat Mater". In this album, this song's track order is #8. Based on our statistics, Stabat Mater: Stabat Mater: I. Stabat mater dolorosa's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: Stabat Mater: I. Stabat mater dolorosa by Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, Op. 48: Libera me | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | B♭ Major | 1 | 6B | 175 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Poulenc: Les chemins de l'amour, FP 106 | Francis Poulenc, Véronique Gens, Roger Vignoles | D♭ Major | 1 | 3B | 72 BPM | ||
Rakastava, Op. 14, JS 160c (The Lover) | Jean Sibelius, Jenny Carlstedt, Arttu Kataja, Estonian Philharmonic Chamber Choir, Heikki Seppanen | D♭ Minor | 1 | 12A | 95 BPM | ||
Lorca Suite, Op.72: II. El Grito (The Scream) | Einojuhani Rautavaara, Estonian Philharmonic Chamber Choir, Paul Hillier | A Minor | 1 | 8A | 60 BPM | ||
Dichterliebe, Op.48: 10. Hör' ich das Liedchen klingen | Robert Schumann, Fritz Wunderlich, Hubert Giesen | G Minor | 0 | 6A | 76 BPM | ||
Wie bist du, Seele, in mir so gar betrübt, BWV 435 | Johann Sebastian Bach, Ophira Zakai, Vocalconsort Berlin, Daniel Reuss, Elina Albach | E♭ Minor | 1 | 2A | 167 BPM | ||
Min rastas raataa, JS 129 (The Thrush's Toiling) | Jean Sibelius, Estonian Philharmonic Chamber Choir, Heikki Seppanen | F Minor | 0 | 4A | 81 BPM | ||
Marco Rosano: Requiem | Andreas Scholl | B♭ Major | 2 | 6B | 59 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM |
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