Kurt Weill, Palast Orchester, Max Raabe, H.K. Gruber made "Alabama-Song (with Max Raabe)" available on February 5, 2001. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 19 in Charming Weill (with Max Raabe) by Kurt Weill, Palast Orchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Alabama-Song (with Max Raabe)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Alabama-Song (with Max Raabe) by Kurt Weill, Palast Orchester, Max Raabe, H.K. Gruber is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Die Dreigroschenoper: Akt I, Anstatt-Dass Song ("Anstatt dass") | Kurt Weill, Trude Hesterberg, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg | B♭ Major | 1 | 6B | 108 BPM | ||
Die Dreigroschenoper: Ballade vom angenehmen Leben | Kurt Weill, René Kollo, Rias-Sinfonietta Berlin, John Mauceri | A Major | 3 | 11B | 96 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | E♭ Major | 1 | 5B | 134 BPM | ||
Liebestod | Richard Wagner, Kirsten Flagstad | D♭ Minor | 1 | 12A | 110 BPM | ||
Play Piano Play (10 Übungsstücke für Yuko): VI. Presto possibile | Glenn Gould, Friedrich Gulda, Sasha Grynyuk | B♭ Minor | 3 | 3A | 152 BPM | ||
Polka | Nino Rota | G Major | 4 | 9B | 135 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM |
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