"Don Quixote: Prologue: Entrance of Don Quixote" by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov was released on February 24, 2004. The duration of Don Quixote: Prologue: Entrance of Don Quixote is about 3 minutes long, at 3:29. Based on our data, "Don Quixote: Prologue: Entrance of Don Quixote" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ludwig Minkus, Nayden Todorov's "Minkus: Don Quixote" album is number 3 out of 59. Based on our statistics, Don Quixote: Prologue: Entrance of Don Quixote's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Quixote: Prologue: Entrance of Don Quixote by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Sommernachtstraum, Op. 61: III. Elfenreigen (Allegro vivace) | Felix Mendelssohn, Claus Peter Flor | B Major | 2 | 1B | 72 BPM | ||
Coppélia : Act III, No.20 Féte de la cloche - Divertissement 8a) Male variation | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | B Major | 2 | 1B | 83 BPM | ||
Paquita: Variation 7: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 165 BPM | ||
Henry VIII: Idylle ecossaise | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 93 BPM | ||
Der Zigeunerbaron, Act 3: Entr'acte | Johann Strauss II, Dietrich Fischer-Dieskau, Willi Boskovsky, Muenchner Rundfunkorchester, Munich Radio Orchestra | C Major | 1 | 8B | 87 BPM | ||
Symphony No.2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM | ||
La Bayadere, Act III: 46. "Variation - 3rd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 170 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM |
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