Johann Strauss II, Dietrich Fischer-Dieskau, Willi Boskovsky, Muenchner Rundfunkorchester, Munich Radio Orchestra made "Der Zigeunerbaron, Act 3: Entr'acte" available on March 28, 2011. With Der Zigeunerbaron, Act 3: Entr'acte being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 38 in Der Zigeunerbaron by Johann Strauss II, Dietrich Fischer-Dieskau. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Der Zigeunerbaron, Act 3: Entr'acte is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Der Zigeunerbaron, Act 3: Entr'acte by Johann Strauss II, Dietrich Fischer-Dieskau, Willi Boskovsky, Muenchner Rundfunkorchester, Munich Radio Orchestra is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Die schöne Galathée: Overture | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | D Major | 2 | 10B | 124 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 0 | 5A | 71 BPM | ||
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 4 in F Minor, RV 297, "L'Inverno". II. Largo | Antonio Vivaldi, Anne-Sophie Mutter, Herbert von Karajan, Wiener Philharmoniker | B♭ Major | 1 | 6B | 75 BPM | ||
Rosen Aus Dem Suden (Roses From The South), Op. 388: Das Spitzentuch Der Konigin: Rosen Aus Dem Suden (Roses From The South), Op. 388 | Strauss Festival Orchestra, Johann Strauss II | F Major | 1 | 7B | 100 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Fur die ganze Welt | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | G Major | 1 | 9B | 179 BPM |
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