Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra's 'Vaughan Williams: Job, Scene 8: Gaillard of the Sons of the Morning' came out on February 14, 1997. The duration of Vaughan Williams: Job, Scene 8: Gaillard of the Sons of the Morning is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Vaughan Williams: Job, Scene 8: Gaillard of the Sons of the Morning's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: Symphony No. 9 & Job by Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra. The song's track number on the album is #14 out of 16 tracks. Vaughan Williams: Job, Scene 8: Gaillard of the Sons of the Morning is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vaughan Williams: Job, Scene 8: Gaillard of the Sons of the Morning by Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Vaughan Williams: Job, Scene 8: Gaillard of the Sons of the Morning being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Overture: The Wasps | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B♭ Major | 1 | 6B | 137 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Major | 0 | 7B | 86 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Coastal Command Suite: The Hebrides | RTE Concert Orchestra, Ralph Vaughan Williams | D Minor | 0 | 7A | 65 BPM |
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