"Eiran Oskari" by Marko Putkonen was released on January 1, 2007. The duration of Eiran Oskari is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Eiran Oskari's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Oskari Olematon - Suutari Joonaksen iltapäivä, osa I". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Finland. Eiran Oskari is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eiran Oskari by Marko Putkonen having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: Sancta mater, istud agas | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 1 | 4B | 82 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
L'elisir d'amore, Act I: "Benedette queste carte!" | Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 102 BPM | ||
La Bohème / Act 4: "C'è Mimì..." | Giacomo Puccini, Elizabeth Harwood, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 77 BPM | ||
Carmina Burana / III. Cour d'amours: "Amor volat undique" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum, Schöneberger Sängerknaben | G Major | 0 | 9B | 92 BPM | ||
Lady Macbeth of Mtsensk District / Act 1: Akh, ne spítsya ból'se, popróbuyu | Dmitri Shostakovich, Maria Ewing, Orchestre de l'Opéra Bastille, Myung-Whun Chung | G Minor | 0 | 6A | 86 BPM | ||
Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Io so che alle sue pene (Suzuki/Sharpless/Pinkerton) | Giacomo Puccini, Anna Di Stasio, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 0 | 6B | 132 BPM | ||
Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: II. Andante con moto | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | A Minor | 0 | 8A | 80 BPM | ||
Carmen, Act IV: No.25 Choeur : A la cuartos! (Marchands et Marchandes/Zuniga/Une marchande/Un bohémien) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E Major | 0 | 12B | 79 BPM |
Section: 0.7328104972839355
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