"Stabat Mater: Sancta mater, istud agas" by Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino was released on January 10, 1995. Since Stabat Mater: Sancta mater, istud agas is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "Rossini: Stabat Mater - Petite Messe Solennelle". In this album, this song's track order is #8. Stabat Mater: Sancta mater, istud agas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: Sancta mater, istud agas by Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 82 BPM | ||
Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | ||
Stabat Mater: Quando corpus morietur | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | E♭ Major | 1 | 5B | 74 BPM | ||
Aida: O patria mia | Anita Cerquetti, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni | C Major | 2 | 8B | 99 BPM | ||
Tannhäuser - Paris version / Act 1: "Geliebter, komm! Sieh dort die Grotte!" | Richard Wagner, Agnes Baltsa, Philharmonia Orchestra, Giuseppe Sinopoli | C Major | 1 | 8B | 72 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Elisabetta, regina d'inghilterra, Act II Scene 14: Tu, Regina! | Gioachino Rossini, Serena Farnocchia, Mert Süngü, Veronica Marini, Mara Gaudenzi, Cracow Philharmonic Orchestra, Antonino Fogliani, Patrick Kabongo Mubenga | E Major | 7 | 12B | 119 BPM | ||
Wagner: Tristan und Isolde, Act 2: "Einsam wachend in der Nacht" (Brangäne) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek | F♯ Major | 1 | 2B | 89 BPM | ||
Messa di Requiem, Dies irae: Lacrymosa | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | B♭ Minor | 1 | 3A | 60 BPM |
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