Gioachino Rossini, Serena Farnocchia, Mert Süngü, Veronica Marini, Mara Gaudenzi, Cracow Philharmonic Orchestra, Antonino Fogliani, Patrick Kabongo Mubenga made "Elisabetta, regina d'inghilterra, Act II Scene 14: Tu, Regina!" available on February 9, 2024. The duration of Elisabetta, regina d'inghilterra, Act II Scene 14: Tu, Regina! is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Elisabetta, regina d'inghilterra, Act II Scene 14: Tu, Regina!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Rossini: Elisabetta, regina d'inghilterra". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Elisabetta, regina d'inghilterra, Act II Scene 14: Tu, Regina! is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Elisabetta, regina d'inghilterra, Act II Scene 14: Tu, Regina! by Gioachino Rossini, Serena Farnocchia, Mert Süngü, Veronica Marini, Mara Gaudenzi, Cracow Philharmonic Orchestra, Antonino Fogliani, Patrick Kabongo Mubenga having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Demetrio e Polibio: Act I: Sinfonia | Gioachino Rossini, Dalmacio Gonzales, Giorgio Surjan, Christine Weidinger, Sara Mingardo, Anna Laura Longo, Martino Fullone, Bratislava Chamber Choir, Graz Symphony Orchestra, Massimiliano Carraro | C Major | 1 | 8B | 78 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | E♭ Major | 0 | 5B | 135 BPM | ||
Largo al factotum from The Barber of Seville (1959 - historic recording) | US Marine Band, Gioachino Rossini, William Jones | B♭ Major | 3 | 6B | 77 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Sigismondo: Act I Scene 10: Vidi ah no, ch'io m'ingannai! (Ladislao) - Scene 11: A lui che linge (Sigismondo, Aldimira) | Gioachino Rossini, Sonia Ganassi, Rossella Ragatzu, Bruno Lazzaretti, Nicolletta Zanini, Giacomo Prestia, Filippo Pina Castiglioni, Autunno Trevigiano Chorus, Francesco Venezze di Rovigo Conservatory Orchestra, Richard Bonynge | E Major | 1 | 12B | 183 BPM |
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