"Sigismondo: Act I Scene 10: Vidi ah no, ch'io m'ingannai! (Ladislao) - Scene 11: A lui che linge (Sigismondo, Aldimira)" by Gioachino Rossini, Sonia Ganassi, Rossella Ragatzu, Bruno Lazzaretti, Nicolletta Zanini, Giacomo Prestia, Filippo Pina Castiglioni, Autunno Trevigiano Chorus, Francesco Venezze di Rovigo Conservatory Orchestra, Richard Bonynge was released on August 1, 2013. With this song being about 5 minutes long, at 5:04, "Sigismondo: Act I Scene 10: Vidi ah no, ch'io m'ingannai! (Ladislao) - Scene 11: A lui che linge (Sigismondo, Aldimira)" by Gioachino Rossini, Sonia Ganassi, Rossella Ragatzu, Bruno Lazzaretti, Nicolletta Zanini, Giacomo Prestia, Filippo Pina Castiglioni, Autunno Trevigiano Chorus, Francesco Venezze di Rovigo Conservatory Orchestra, Richard Bonynge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Rossini: Sigismondo". In this album, this song's track order is #7. The popularity of Sigismondo: Act I Scene 10: Vidi ah no, ch'io m'ingannai! (Ladislao) - Scene 11: A lui che linge (Sigismondo, Aldimira) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sigismondo: Act I Scene 10: Vidi ah no, ch'io m'ingannai! (Ladislao) - Scene 11: A lui che linge (Sigismondo, Aldimira) by Gioachino Rossini, Sonia Ganassi, Rossella Ragatzu, Bruno Lazzaretti, Nicolletta Zanini, Giacomo Prestia, Filippo Pina Castiglioni, Autunno Trevigiano Chorus, Francesco Venezze di Rovigo Conservatory Orchestra, Richard Bonynge having a BPM of 183 with a half-time of 92 BPM and a double-time of 366 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Major | 1 | 7B | 112 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho | Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 78 BPM | ||
The Peasant and The Poet | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | D Major | 2 | 10B | 86 BPM | ||
La gazza ladra: Sinfonia | Gioachino Rossini, Virtuosi Brunensis, Alberto Zedda | E Major | 2 | 12B | 93 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
La Cenerentola / Act 1: "Un tantin di carità" | Gioachino Rossini, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Minor | 1 | 5A | 61 BPM |
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