"Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt)" by Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons was released on February 26, 2010. With this song being about 5 minutes long, at 5:04, "Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt)" by Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 50 Best Classics, so we believe that "Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt)" is a single. Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) by Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 8 in G Minor, Op. 6, "Christmas Concerto": Allegro | Arcangelo Corelli, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 73 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Suite bergamasque: III. Clair de lune (Arr. A. Caplet for orchestra) | Claude Debussy, Leipzig Radio Symphony Orchestra, Max Pommer | B♭ Major | 2 | 6B | 106 BPM | ||
Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 0 | 9B | 55 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM |
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