US Marine Band, Gioachino Rossini, William Jones's 'Largo al factotum from The Barber of Seville (1959 - historic recording)' came out on September 2, 2008. With this song being about 5 minutes long, at 4:42, "Largo al factotum from The Barber of Seville (1959 - historic recording)" by US Marine Band, Gioachino Rossini, William Jones is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 167 in Bicentennial Collection by US Marine Band. Largo al factotum from The Barber of Seville (1959 - historic recording) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Largo al factotum from The Barber of Seville (1959 - historic recording) by US Marine Band, Gioachino Rossini, William Jones is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op. 30: 1. Einleitung | Richard Stauss, Slovenian Symphony Orchestra, Anton Nanut | F Major | 1 | 7B | 147 BPM | ||
Stabat Mater: 3. Quis est homo qui non fleret | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Philharmonia Orchestra, Carlo Maria Giulini | E Major | 1 | 12B | 72 BPM | ||
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
Rossini: Il barbiere di Siviglia, Act 2: "Venite, signorina" (Bartolo, Rosina, Count Almaviva) | Gioachino Rossini, Maria Callas, Alceo Galliera, Fritz Ollendorff, Luigi Alva, Philharmonia Orchestra | G Major | 3 | 9B | 116 BPM | ||
Rigoletto - Bella Figlia Dell'Amore | Luciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita Rinaldi | D♭ Major | 2 | 3B | 61 BPM | ||
Über den Wellen | Juventino Rosas, Vienna Volksoper Orchestra, Franz Bauer-Theussl | G Major | 1 | 9B | 181 BPM | ||
Gia il sole dal gange | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 76 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
National Capital Centennial (1921 - historic recording) | US Marine Band, William H. Santelmann | E♭ Major | 2 | 5B | 123 BPM |
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