Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker made "Orpheus in the Underworld: Cancan" available on June 10, 2016. The duration of Orpheus in the Underworld: Cancan is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Orpheus in the Underworld: Cancan's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Sommernachtskonzert 2016 / Summer Night Concert 2016". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Orpheus in the Underworld: Cancan's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Orpheus in the Underworld: Cancan by Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Venetianer-Galopp, Op. 74 | Johann Strauss I, Riccardo Muti, Wiener Philharmoniker | B Major | 3 | 1B | 79 BPM | ||
Can Can, Offenbach | Beethoven's Wig | E♭ Major | 4 | 5B | 80 BPM | ||
Toccata and Fugue in D Minor, BWV 565: 1. Toccata | Johann Sebastian Bach, Simon Preston | D Minor | 2 | 7A | 84 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | ||
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
Danse Bacchanale | Camille Saint-Saëns, N/A, Banda de Lalín, Bram Sniekers | D Major | 2 | 10B | 125 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | ||
Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM | ||
Radetzky-March, Op. 228 | Johann Strauss I, Hungarian State Orchestra, Janos Ferencsik | A Major | 3 | 11B | 102 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM |
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