"La Bohème / Act 4: "C'è Mimì..."" by Giacomo Puccini, Elizabeth Harwood, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1973. La Bohème / Act 4: "C'è Mimì..." is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 31 in the song's album "Puccini: La Bohème". In this album, this song's track order is #12. La Bohème / Act 4: "C'è Mimì..." is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 4: "C'è Mimì..." by Giacomo Puccini, Elizabeth Harwood, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio: Quartett - Mir ist so wunderbar | Herbert von Karajan, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | ||
Pagliacci / Act 1: "Un tal gioco, credetemi" | Ruggero Leoncavallo, Luciano Pavarotti, Daniela Dessi, Westminster Symphonic Choir, Philadelphia Boys Choir, Philadelphia Orchestra, Riccardo Muti | F Major | 2 | 7B | 175 BPM | ||
Massenet: Werther, Act 3: "Traduire ! Ah ! Bien souvent mon rêve s'envole" - "Pourquoi me réveiller, ô souffle du Printemps ?" (Werther) | Jules Massenet, Roberto Alagna, London Symphony Orchestra, Antonio Pappano | G Minor | 1 | 6A | 111 BPM | ||
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Turandot: Act I: Signore, ascolta! | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
La Rondine: Act III: O mia povera cara… (Ruggero, Magda) | Giacomo Puccini, Svetla Vassileva, Maya Dashuk, Fabio Sartori, Emanuele Giannino, Marzio Giossi, Fernando Luis Ciuffo, Giorgio Berrugi, Andrea Patucelli, Polina Volfson, Alessandra Meozzi, Annunziata Vestri, Puccini Festival Chorus, Puccini Festival Orchestra, Alberto Veronesi | A Minor | 2 | 8A | 170 BPM | ||
La Bohème / Act 4: "Oh Dio! Mimì!" | Giacomo Puccini, Gianni Maffeo, Mirella Freni, Luciano Pavarotti, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 108 BPM | ||
Turandot / Act 3: Principessa divina! | Giacomo Puccini, Tom Krause, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Nicolai Ghiaurov, London Philharmonic Orchestra, Zubin Mehta | F Major | 2 | 7B | 175 BPM | ||
Turandot / Act 1: O giovinetto! Grazia, grazia! | Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | B Major | 2 | 1B | 170 BPM |
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