"Turandot / Act 3: Principessa divina!" by Giacomo Puccini, Tom Krause, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Nicolai Ghiaurov, London Philharmonic Orchestra, Zubin Mehta was released on September 1, 1973. Since Turandot / Act 3: Principessa divina! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 28 in the song's album "Puccini: Turandot". In this album, this song's track order is #7. The popularity of Turandot / Act 3: Principessa divina! is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 3: Principessa divina! by Giacomo Puccini, Tom Krause, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Nicolai Ghiaurov, London Philharmonic Orchestra, Zubin Mehta having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.6 Aria: "La calunnia è un venticello" | Gioachino Rossini, Nicolai Ghiaurov, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 81 BPM | ||
Verdi: Il Trovatore / Act 3 - "Di qual tetra luce...Ah sì ben mio...Di quella pira" | Luciano Pavarotti, Gildis Flossmann, Vienna Opera Chorus, Nicola Rescigno, Peter Baillie, Vienna Opera Orchestra | A♭ Major | 2 | 4B | 88 BPM | ||
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
Petite Messe solennelle - Gloria: Domine Deus | Gioachino Rossini, Luciano Pavarotti, Leone Magiera, Vittoria Rosetta, Romano Gandolfi | D Major | 4 | 10B | 108 BPM | ||
La Bohème / Act 1: O soave fanciulla, o dolce viso | Giacomo Puccini, Jean-Francois Borras, Nathalie Manfrino, Samuel Jean, Orchestre Régional Avignon Provence | G Major | 1 | 9B | 91 BPM | ||
Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | F Major | 1 | 7B | 170 BPM | ||
Rigoletto / Act 2: "Mio padre!...Compiuto pur quanto" | Giuseppe Verdi, Dame Joan Sutherland, Sherrill Milnes, Christian Du Plessis, John Gibbs, Riccardo Cassinelli, London Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 79 BPM | ||
Tosti / Arr Schifrin: Around the World Part 7: Marechiare | Francesco Paolo Tosti, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | A♭ Minor | 2 | 1A | 139 BPM | ||
Turandot / Act 3: "Che è mai di me?" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, Wandsworth School Boys Choir, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | C Major | 1 | 8B | 67 BPM | ||
Cavalleria rusticana: "Viva il vino spumeggiante" | Pietro Mascagni, Luciano Pavarotti, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 4 | 9B | 91 BPM |
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