"Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Suvvia, così terribile (Nedda/Canio/Beppe/Tonio/Silvio/Coro)" by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti was released on 1979. The duration of Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Suvvia, così terribile (Nedda/Canio/Beppe/Tonio/Silvio/Coro) is about 3 minutes long, at 3:03. Based on our data, "Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Suvvia, così terribile (Nedda/Canio/Beppe/Tonio/Silvio/Coro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 24 out of 44. Based on our statistics, Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Suvvia, così terribile (Nedda/Canio/Beppe/Tonio/Silvio/Coro)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Suvvia, così terribile (Nedda/Canio/Beppe/Tonio/Silvio/Coro) by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Pagliacci / Act 1: "E allor perché, di', tu m'hai stregato" | Ruggero Leoncavallo, Paolo Coni, Daniela Dessi, Philadelphia Orchestra, Riccardo Muti | A♭ Major | 1 | 4B | 140 BPM | ||
Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM | ||
Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM | ||
Torna a Surriento | Ernesto de Curtis, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | E Major | 2 | 12B | 91 BPM | ||
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM |
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