The Oscar's Orchestra's 'Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera")' came out on November 25, 2014. The duration of Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera")'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Oscar's Orchestra's "Los Clásicos Van al Cine, Vol. 1" album is number 2 out of 24. Based on our statistics, Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera")'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") by The Oscar's Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concierto De Aranjuez: 3. Allegro Gentile | Paco de Lucía, Joaquín Rodrigo, Orquesta De Cadaques, Edmon Colomer | D Major | 3 | 10B | 167 BPM | ||
Marcha Triunfal de Aida | Orquesta de Concierto | A♭ Minor | 5 | 1A | 103 BPM | ||
Claro de Luna (De "Misery") | The Oscar's Orchestra | B Minor | 0 | 10A | 73 BPM | ||
La Boda de Luis Alonso | Ataúlfo Argenta | E Major | 5 | 12B | 111 BPM | ||
Gloria in D, R.589: Allegro: Gloria in excelsis | Antonio Vivaldi, John Alldis Choir, Olga Hegedus, Rodney Slatford, John Constable, English Chamber Orchestra, Vittorio Negri | D♭ Major | 1 | 3B | 86 BPM | ||
Agua, azucarillos y aguardiente - Preludio | Pablo Sorozábal | E♭ Major | 4 | 5B | 143 BPM | ||
The Four Seasons. Concertos for Violin, Strings and Basso Continuo Op.8 - Concerto No.1 in E Major " | Uberto Pieroni | E Major | 3 | 12B | 107 BPM | ||
I PATETICA - SONATA NO. 8 EN DO MENOR, Op.13 II Adagio cantabile - Remasterizado | Ludwig van Beethoven, Frank Fernández | A♭ Major | 0 | 4B | 102 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM |
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