Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia's 'Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation III' came out on August 10, 2018. With Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation III being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 32 in Bernstein: Symphonies Nos 1-3, Prelude, Fugue & Riffs by Leonard Bernstein, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation III is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation III by Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | E♭ Major | 0 | 5B | 119 BPM | ||
D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 8. W.N. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 84 BPM | ||
Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | ||
Don Quixote, Op. 35 (Fantastic Variations on a Theme of Knightly Character): Theme: Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Leonard Slatkin, János Starker, Andreas Röhn, Oskar Lysy | C Major | 0 | 8B | 80 BPM | ||
String Quartet No. 2 in F Major, Op. 22: IV. Allegro con moto | Pyotr Ilyich Tchaikovsky, Dudok Quartet Amsterdam | C Major | 4 | 8B | 146 BPM | ||
Fantasia on Themes from Gounod's 'Faust', Op. 20: IV. Moderato | Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | F Major | 0 | 7B | 109 BPM | ||
Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | G Minor | 0 | 6A | 169 BPM |
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