"Don Quixote, Op. 35 (Fantastic Variations on a Theme of Knightly Character): Theme: Don Quixote, the Knight of the Sorrowful Countenance" by Richard Strauss, Leonard Slatkin, János Starker, Andreas Röhn, Oskar Lysy was released on 1991. With Don Quixote, Op. 35 (Fantastic Variations on a Theme of Knightly Character): Theme: Don Quixote, the Knight of the Sorrowful Countenance being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 20 in the song's album "Strauss: Don Quixote / Till Eulenspiegel". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Don Quixote, Op. 35 (Fantastic Variations on a Theme of Knightly Character): Theme: Don Quixote, the Knight of the Sorrowful Countenance is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don Quixote, Op. 35 (Fantastic Variations on a Theme of Knightly Character): Theme: Don Quixote, the Knight of the Sorrowful Countenance by Richard Strauss, Leonard Slatkin, János Starker, Andreas Röhn, Oskar Lysy having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Short Pieces, Op. 6: No. 1, Prelude. Non troppo allegro | Howard Ferguson, John Finucane, Elisaveta Blumina | A Minor | 0 | 8A | 51 BPM | ||
Suite, Op. 56: IV. Rondo. Presto | Rudolf Moser, Sinfonietta Riga, Philippe Bach | D Major | 0 | 10B | 101 BPM | ||
Symphony No. 3 in C Minor, Op. 14: IIIc. Var. 2, Andante con moto | Witold Maliszewski, Opole Philharmonic Orchestra, Przemyslaw Neumann | A♭ Major | 0 | 4B | 79 BPM | ||
6 Studien in kanonischer Form, Op. 56: III. Andantino | Robert Schumann, Theodor Kirchner, Trio Karénine | E Minor | 0 | 9A | 170 BPM | ||
Relâche, Pt. 1: No. 3, Entrée de la femme | Erik Satie, Ronald Corp, New London Orchestra | D Minor | 2 | 7A | 131 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": II. Aria | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | F Minor | 0 | 4A | 68 BPM | ||
Hexapoda: No. 1, Gut-Bucket Gus | Robert Russell Bennett, Patrick Savage, Martin Cousin | F Major | 1 | 7B | 98 BPM | ||
In Moonlight: In Moonlight | Heino Eller, Andres Kaljuste, Sophia Rahman | E Major | 1 | 12B | 80 BPM | ||
Novelletten, H. 44: I. Andante moderato | Frank Bridge, Esmé Quartet | E Major | 5 | 12B | 72 BPM | ||
Six Canonic Studies, Op. 56: No. 1, Con moto egual’e dolce (Arr. for Orchestra by Robin Holloway) | Johannes Brahms, BBC Symphony Orchestra, Paul Mann | C Major | 0 | 8B | 126 BPM |
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