Relâche, Pt. 1: No. 3, Entrée de la femme - Erik Satie, Ronald Corp, New London Orchestra Information

Erik Satie, Ronald Corp, New London Orchestra's 'Relâche, Pt. 1: No. 3, Entrée de la femme' came out on October 23, 1989. With Relâche, Pt. 1: No. 3, Entrée de la femme being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 47 in the song's album "Satie: Parade, Gymnopédies, Gnossiennes & Other Works for Orchestra". In this album, this song's track order is #29. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Relâche, Pt. 1: No. 3, Entrée de la femme's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Relâche, Pt. 1: No. 3, Entrée de la femme BPM

With Relâche, Pt. 1: No. 3, Entrée de la femme by Erik Satie, Ronald Corp, New London Orchestra having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Relâche, Pt. 1: No. 3, Entrée de la femme Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.