"D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard)" by Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard was released on April 26, 2024. D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 11 out of 15 in Claude Debussy: Images retrouvées by Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. The popularity of D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) by Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | G Major | 2 | 9B | 90 BPM | ||
Nocturnes, Op. 9: II. Andante (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
Lied Ohne Worte, Op. 109 | Felix Mendelssohn, Elizabeth Dolin, Bernadene Blaha | B Major | 0 | 1B | 64 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 12: Tempo di minuetto | Sergei Rachmaninoff, Yevgeny Sudbin, Singapore Symphony Orchestra, Lan Shui | G Major | 0 | 9B | 77 BPM | ||
Tableaux de Provence: IV. Des Alyscamps l'âme soupire (Version pour saxophone et piano) | Paule Maurice, Louis Hognon, Flore Merlin | D♭ Minor | 0 | 12A | 66 BPM | ||
Piano Quintet No. 1 in C Minor, Op. 1: II. Scherzo. Allegro vivace – Trio – Reprise | Ernst von Dohnányi, Marc-André Hamelin, Takács Quartet | B Minor | 1 | 10A | 124 BPM | ||
Londonderry Air "Farewell to Cucullain" (Arr. Kreisler for Violin, Cello & Piano) | Traditional, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | C Major | 1 | 8B | 101 BPM | ||
String Quartet No. 1 in C Major, Op. 49: II. Moderato | Dmitri Shostakovich, Quatuor Danel | G Major | 0 | 9B | 89 BPM | ||
Pour le Piano, L. 59: II. Sarabande | Claude Debussy, Saskia Giorgini | D♭ Minor | 0 | 12A | 77 BPM | ||
33 Miniatures for Piano (Excerpts): No. 30, Dolcissimo | Giya Kancheli, Elisaveta Blumina | E Minor | 0 | 9A | 73 BPM |
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