"Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsam" by Gustav Mahler, Leonard Bernstein, New York Philharmonic was released on 1967. The duration of Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsam is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsam's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Benjamin Britten, André Previn, London Symphony Orchestra, Jaco Pastorius, Herbie Hancock, Gustav Mahler, Leonard Bernstein's "Mahler: Symphony No. 1 in D Major "Titan" & Adagio from Symphony No. 10 in F-Sharp Minor" album is number 9 out of 22. The popularity of Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsam is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsam by Gustav Mahler, Leonard Bernstein, New York Philharmonic to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Firebird Suite (1919 Version): Lullaby - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 58 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 80 BPM | ||
La traviata, Act III: Prelude | Giuseppe Verdi, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 77 BPM | ||
Peter and the Wolf, Op. 67: Andantino | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, I. Allegro | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 95 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel - Allegro moderato | Max Bruch, Sir Malcolm Sargent, Jascha Heifetz | D Minor | 2 | 7A | 157 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | E Minor | 2 | 9A | 67 BPM |
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