Nicola Porpora, Mary-Ellen Nesi, Dilyara Idrisova, Capella Cracoviensis, Jan Tomasz Adamus made "Germanico in Germania / Act 1: "Miseri oh Dio! noi siam perduti"" available on November 3, 2017. The duration of Germanico in Germania / Act 1: "Miseri oh Dio! noi siam perduti" is about 3 minutes long, at 3:01. Based on our data, "Germanico in Germania / Act 1: "Miseri oh Dio! noi siam perduti"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 69 in the song's album "Porpora: Germanico in Germania". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Germanico in Germania / Act 1: "Miseri oh Dio! noi siam perduti" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Germanico in Germania / Act 1: "Miseri oh Dio! noi siam perduti" by Nicola Porpora, Mary-Ellen Nesi, Dilyara Idrisova, Capella Cracoviensis, Jan Tomasz Adamus having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": III. A solis ortu (Andante) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | A♭ Major | 1 | 4B | 128 BPM | ||
Arianna a Nasso, Act I: Act I Scene 3: Aria: Piu l'impresa perigli n'appresta (Piritoo) | Nicola Porpora, Cristoforos Stamboglis, Mauro Castellano, Orchestra Sinfonica di Savona, Massimiliano Carraro | G Major | 1 | 9B | 181 BPM | ||
Gluck: Orphée et Eurydice Wq. 41, Act 4: "J'ai perdu mon Euridyce" (Orphée) | Christoph Willibald Gluck, Michael Spyres, Il Pomo D'oro, Francesco Corti | B Major | 2 | 1B | 101 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | F♯ Major | 0 | 2B | 103 BPM | ||
Carlo il Calvo: Scena VIII: Recitativo - Lottario, Giuditta | Nicola Porpora, Max Emanuel Cenčić, Suzanne Jerosme, George Petrou, Armonia Atenea | B Major | 1 | 1B | 103 BPM | ||
Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | G Major | 1 | 9B | 119 BPM |
Section: 0.5795159339904785
End: 0.5844161510467529