"Gluck: Orphée et Eurydice Wq. 41, Act 4: "J'ai perdu mon Euridyce" (Orphée)" by Christoph Willibald Gluck, Michael Spyres, Il Pomo D'oro, Francesco Corti was released on March 3, 2023. With this song being about 5 minutes long, at 4:38, "Gluck: Orphée et Eurydice Wq. 41, Act 4: "J'ai perdu mon Euridyce" (Orphée)" by Christoph Willibald Gluck, Michael Spyres, Il Pomo D'oro, Francesco Corti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Contra-Tenor - Orphée et Eurydice: "J'ai perdu mon Euridyce" and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Gluck: Orphée et Eurydice Wq. 41, Act 4: "J'ai perdu mon Euridyce" (Orphée) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gluck: Orphée et Eurydice Wq. 41, Act 4: "J'ai perdu mon Euridyce" (Orphée) by Christoph Willibald Gluck, Michael Spyres, Il Pomo D'oro, Francesco Corti is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | D♭ Major | 0 | 3B | 130 BPM | ||
Piccinni: Roland, Act 1: "En butte aux fureurs de l'orage" (Médor) | Niccolò Piccinni, Michael Spyres, Il Pomo D'oro, Francesco Corti | C Minor | 1 | 5A | 80 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 19 Solveig's Song | Edvard Grieg, Barbara Bonney, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 85 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Torna, o bella, al tuo consorte" (Chorus) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Major | 1 | 12B | 42 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Come ye sons of art: Sound the Trumpet | Henry Purcell, Andreas Scholl, Christophe Dumaux, Accademia Bizantina, Stefano Montanari | D♭ Major | 4 | 3B | 108 BPM | ||
Petite messe solennelle: Et resurrexit | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | E Major | 2 | 12B | 137 BPM | ||
Cappellini: Raccolta di Ariette: Chi vuol ch’il cor gioisca | Pietro Paolo Cappellini, Jakub Józef Orliński, Il Pomo D'oro | F Minor | 1 | 4A | 166 BPM | ||
Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 2, Aria. "Stumme Seufzer, stille Klagen" | Johann Sebastian Bach, Sabine Devieilhe, Raphael Pichon | D♭ Minor | 1 | 12A | 73 BPM |
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