Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik made "Le Corsaire : Act II, No.19 Pas de deux, Adagio" available on January 1, 2003. The duration of Le Corsaire : Act II, No.19 Pas de deux, Adagio is about 3 minutes long, at 3:21. Based on our data, "Le Corsaire : Act II, No.19 Pas de deux, Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 30 in Ballet Highlights. Adam, Delibes by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Le Corsaire : Act II, No.19 Pas de deux, Adagio is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Le Corsaire : Act II, No.19 Pas de deux, Adagio by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Puppenfee (The Fairy Doll): No. 2 | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F Major | 2 | 7B | 133 BPM | ||
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
Act I: Street Dancer (Minkus) | Mariinsky Orchestra | D Major | 1 | 10B | 87 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): II. Romance (Allegro non troppo) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 97 BPM | ||
Paquita: Variation 8: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 86 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): IV. Kitty-Valse | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E♭ Major | 0 | 5B | 92 BPM | ||
Don Quixote: Act II: Gypsy Dance I | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E Major | 1 | 12B | 141 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Allegretto: First Men's Variation | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 119 BPM | ||
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
Le Corsaire : Act III, Scene II The Lively Garden, No.58 Coda | Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik | E♭ Major | 2 | 5B | 129 BPM |
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