"La Sylphide: Act II: Sylph Scene: Divertissement" by Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth was released on September 1, 1986. Since La Sylphide: Act II: Sylph Scene: Divertissement is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Herman Severin Løvenskiold, Kim Sjøgren, David Garforth's "Lovenskiold: Sylphide (La)" album is number 12 out of 17. La Sylphide: Act II: Sylph Scene: Divertissement is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Sylphide: Act II: Sylph Scene: Divertissement by Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prologue: Entree Of Don Quixote (Minkus) | Mariinsky Orchestra | G Major | 2 | 9B | 64 BPM | ||
L'Autunno - Adagio molto | Kim Sjøgren | D Major | 0 | 10B | 82 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: VI. Cinderella Goes to the Ball | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Le Corsaire: Act I - "12. Pas de Trois des Odalisques: Coda: Odalisques" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | B Major | 1 | 1B | 86 BPM | ||
Tjenerindens Fortaelling (the Handmaid's Tale), the Red Centre Prelude, Scene 1: The Classroom [Lydia, Handmaids, Offred, Janine] | Poul Ruders, Marianne Rorholm, Hanne Fischer, Poul Elming, Ulla Kudsk-Jensen, Anne Margrethe Dahl, Djina Mai-Mai, Lise-Lotte Nielsen, Annita Wadsholt, Susanne Resmark, Kari Hamnoy, Aage Haugland, Gert Henning-Jensen, Elsebeth Lund, Pia Hansen, Bengt-Ola Morgny, Elisabeth Halling, John Laursen, Uffe Henriksen, Morten Kramp, Royal Danish Opera Chorus, Royal Danish Orchestra, Michael Schønwandt | F♯ Minor | 2 | 11A | 72 BPM | ||
Jesus Bleibet Meine Freude, BWV 147, Arr. Mogens Andresen | Johann Sebastian Bach, Ketil Christensen, Marcus Lehtinen, Royal Danish Orchestra | E♭ Major | 1 | 5B | 69 BPM | ||
Violin Concerto, Op 33: Allegro cavalleresco | Danish National Radio Symphony Orchestra, Emil Telmanyi, Egisto Tango, Royal Danish Orchestra | G Major | 1 | 9B | 77 BPM | ||
Act III: Variation II La fee Argent | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A♭ Major | 1 | 4B | 115 BPM | ||
Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 97 BPM |
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