"Tjenerindens Fortaelling (the Handmaid's Tale), the Red Centre Prelude, Scene 1: The Classroom [Lydia, Handmaids, Offred, Janine]" by Poul Ruders, Marianne Rorholm, Hanne Fischer, Poul Elming, Ulla Kudsk-Jensen, Anne Margrethe Dahl, Djina Mai-Mai, Lise-Lotte Nielsen, Annita Wadsholt, Susanne Resmark, Kari Hamnoy, Aage Haugland, Gert Henning-Jensen, Elsebeth Lund, Pia Hansen, Bengt-Ola Morgny, Elisabeth Halling, John Laursen, Uffe Henriksen, Morten Kramp, Royal Danish Opera Chorus, Royal Danish Orchestra, Michael Schønwandt was released on January 12, 2001. With this song being about 5 minutes long, at 4:30, "Tjenerindens Fortaelling (the Handmaid's Tale), the Red Centre Prelude, Scene 1: The Classroom [Lydia, Handmaids, Offred, Janine]" by Poul Ruders, Marianne Rorholm, Hanne Fischer, Poul Elming, Ulla Kudsk-Jensen, Anne Margrethe Dahl, Djina Mai-Mai, Lise-Lotte Nielsen, Annita Wadsholt, Susanne Resmark, Kari Hamnoy, Aage Haugland, Gert Henning-Jensen, Elsebeth Lund, Pia Hansen, Bengt-Ola Morgny, Elisabeth Halling, John Laursen, Uffe Henriksen, Morten Kramp, Royal Danish Opera Chorus, Royal Danish Orchestra, Michael Schønwandt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 43 in the song's album "Ruders: Handmaid's Tale (The)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Denmark. Tjenerindens Fortaelling (the Handmaid's Tale), the Red Centre Prelude, Scene 1: The Classroom [Lydia, Handmaids, Offred, Janine] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tjenerindens Fortaelling (the Handmaid's Tale), the Red Centre Prelude, Scene 1: The Classroom [Lydia, Handmaids, Offred, Janine] by Poul Ruders, Marianne Rorholm, Hanne Fischer, Poul Elming, Ulla Kudsk-Jensen, Anne Margrethe Dahl, Djina Mai-Mai, Lise-Lotte Nielsen, Annita Wadsholt, Susanne Resmark, Kari Hamnoy, Aage Haugland, Gert Henning-Jensen, Elsebeth Lund, Pia Hansen, Bengt-Ola Morgny, Elisabeth Halling, John Laursen, Uffe Henriksen, Morten Kramp, Royal Danish Opera Chorus, Royal Danish Orchestra, Michael Schønwandt having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto: I. Lake of Dreams (Tranquilo) | Poul Ruders, Liang Wang, Alan Gilbert, New York Philharmonic | A Major | 0 | 11B | 70 BPM | ||
Allegro Scherzino : Flying - Chamber Ensemble Version | José Manuel Ortega Caballo | F♯ Minor | 4 | 11A | 87 BPM | ||
Nashville Concerto: III. Rondo - Scherzo | Jurgen De Pillecyn, Eddy Vanoosthuyse, Ataneres Ensemble, Erik Desimpelaere | A♭ Major | 1 | 4B | 83 BPM | ||
Romanian Folk Dances, Sz. 68: No. 3, Pe loc | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
The Thirteenth Child, Act II: Light & Shadows | Poul Ruders, Becky Starobin, David Starobin, Ashraf Sewailam, Alasdair Kent, Amber Evans, Bridge Academy Singers, Odense Symphony Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
A. Scotto: Emma at the park | Aurelio Scotto, ReWind Quintet | G Major | 1 | 9B | 87 BPM | ||
The Armed Man (Ensemble Version): VIII. Angry Flames | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM |
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