"Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd" by Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam was released on January 31, 1995. The duration of Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 11 in Debussy-Caplet: Children's Corner Suite by Andre Caplet. Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd by Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stravinsky: Petrouchka, Tableau IV "La foire du mardi gras": Le Marchand fêtard et deux Tziganes (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | C Major | 0 | 8B | 123 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Violin Concerto, Op. 12: I. Andante con moto | Kurt Weill, Henry Raudales, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 2 | 12A | 133 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
L'isle joyeuse, L. 109 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Concerto pour trombone et orchestre: III. Finale: Maestoso - Rondo | Launy Grøndahl, Orchestre Symphonique Français, Laurent Petitgirard, Jacques Mauger | F♯ Major | 0 | 2B | 120 BPM | ||
Le sacre du printemps / Pt. 1: L'Adoration de la terre: IV. Rondes printanières | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Minor | 1 | 3A | 113 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Andante | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | A♭ Major | 1 | 4B | 107 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM |
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