"The Thirteenth Child, Act II: Light & Shadows" by Poul Ruders, Becky Starobin, David Starobin, Ashraf Sewailam, Alasdair Kent, Amber Evans, Bridge Academy Singers, Odense Symphony Orchestra was released on June 21, 2019. The duration of The Thirteenth Child, Act II: Light & Shadows is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. The Thirteenth Child, Act II: Light & Shadows's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Poul Ruders: The Thirteenth Child". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United States. The Thirteenth Child, Act II: Light & Shadows is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Thirteenth Child, Act II: Light & Shadows by Poul Ruders, Becky Starobin, David Starobin, Ashraf Sewailam, Alasdair Kent, Amber Evans, Bridge Academy Singers, Odense Symphony Orchestra having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants d'Auvergne, Vol. 1: No. 3a. L'aio De Rotso (Spring Water) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 186 BPM | ||
Puck "Fleeing from the Dawn" | Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins | A Major | 2 | 11B | 105 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: Keng-ca-fou, Mah-jong (The Chinese Cup, The Tea Pot) | Maurice Ravel, Delphine Galou, Jean-Paul Fouchécourt, Orchestre National De Lyon, Leonard Slatkin | D♭ Minor | 1 | 12A | 130 BPM | ||
Growing Up Is Hard to Do | Andrea Datzman | C Major | 3 | 8B | 120 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: III. Second Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
The Thirteenth Child, Act I: The Softest Spoken | Poul Ruders, David Starobin, Becky Starobin, Matt Boehler, Tamara Mumford, Bridge Academy Singers, Odense Symphony Orchestra, Benjamin Shwartz | A Major | 0 | 11B | 70 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
Coastal Command Suite: The Hebrides | RTE Concert Orchestra, Ralph Vaughan Williams | D Minor | 0 | 7A | 65 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Wind | Nature Music | G Major | 1 | 9B | 110 BPM |
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