"The Armed Man (Ensemble Version): VIII. Angry Flames" by Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge was released on January 12, 2024. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera's "Karl Jenkins: The Armed Man (Ensemble Version)" album is number 8 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Armed Man (Ensemble Version): VIII. Angry Flames's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Armed Man (Ensemble Version): VIII. Angry Flames by Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM | ||
Hidden Faces | Karl Jenkins, Kathryn Rudge, World Orchestra For Peace | D♭ Major | 2 | 3B | 93 BPM | ||
Bellini: Adelson e Salvini, Act 2: "E il Ciel, che in questa guisa..." (Salvini, Nelly, Struley, Geronio, Madama Rivers, Chorus, Adelson, Fanny) | Vincenzo Bellini, Daniele Rustioni, David Soar, Kathryn Rudge, Leah-Marian Jones, Rodion Pogossov, Simone Alberghini, BBC Symphony Orchestra | E♭ Major | 2 | 5B | 134 BPM | ||
Lux aeterna: I. Introitus | Morten Lauridsen, Britten Sinfonia, Polyphony, Stephen Layton | D Major | 1 | 10B | 118 BPM | ||
Bellini: Adelson e Salvini, Act 3: "Ah Nelly. Tributo umìle..." (Adelson, Fanny, Nelly, Salvini, Bonifacio, Madama Rivers, Chorus) | Vincenzo Bellini, Daniele Rustioni, Kathryn Rudge, Leah-Marian Jones, Maurizio Muraro, Simone Alberghini, BBC Symphony Orchestra | E♭ Major | 3 | 5B | 121 BPM | ||
5 Canons on Latin Texts, Op. 16: Dormi Jesu | Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern | D♭ Major | 0 | 3B | 110 BPM | ||
Worthy is the Lamb | Joanna Marsh, Ensemble Altera, Christopher Lowrey, James Kennerley | B♭ Minor | 1 | 3A | 78 BPM | ||
Carmina Burana: In trutina | Carl Orff, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Nocturne, Op. 60: IV. Midnight's Bell Goes Ting, Ting, Ting... | Benjamin Britten, Adrian Thompson, Michael Thompson, Bournemouth Sinfonietta, David Lloyd-Jones | F Major | 1 | 7B | 69 BPM | ||
Requiem: III. Requiem aeternam I | Herbert Howells, The Choir Of Trinity College, Cambridge, Stephen Layton | E Minor | 0 | 9A | 141 BPM |
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