"Nocturne, Op. 60: IV. Midnight's Bell Goes Ting, Ting, Ting..." by Benjamin Britten, Adrian Thompson, Michael Thompson, Bournemouth Sinfonietta, David Lloyd-Jones was released on February 16, 1998. The duration of Nocturne, Op. 60: IV. Midnight's Bell Goes Ting, Ting, Ting... is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Nocturne, Op. 60: IV. Midnight's Bell Goes Ting, Ting, Ting...'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 26 in Britten: Serenade for Tenor / Les Illuminations / Nocturne by Benjamin Britten, David Lloyd-Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Nocturne, Op. 60: IV. Midnight's Bell Goes Ting, Ting, Ting... is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Nocturne, Op. 60: IV. Midnight's Bell Goes Ting, Ting, Ting... by Benjamin Britten, Adrian Thompson, Michael Thompson, Bournemouth Sinfonietta, David Lloyd-Jones is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Symphony for Cello & Orchestra, Op. 68: II. Presto inquieto | Benjamin Britten, Baltimore Symphony Orchestra, Yo-Yo Ma, David Zinman | G Major | 1 | 9B | 95 BPM | ||
Os justi | Anton Bruckner, Voces8 | C Major | 0 | 8B | 138 BPM | ||
Lachian Dances, JW VI/17: No. 2. Pozehnany (Blessed) | Leoš Janáček, WDR Sinfonieorchester Köln, Gerd Albrecht | F Major | 1 | 7B | 60 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
War Requiem, Op. 66: xii. Dies Irae - Dies irae | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra | B♭ Minor | 0 | 3A | 77 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | ||
Cantata Academica, Op. 62: 6. Et Gubernacula; 7. Ut Ad Longaeva Tempora | Benjamin Britten, Jennifer Vyvyan, Helen Watts, Sir Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra, George Malcolm | F Major | 1 | 7B | 84 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM |
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