"Cantata Academica, Op. 62: 6. Et Gubernacula; 7. Ut Ad Longaeva Tempora" by Benjamin Britten, Jennifer Vyvyan, Helen Watts, Sir Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra, George Malcolm was released on November 1, 2019. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 26 in Britten: Choral Works by Benjamin Britten, George Malcolm. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cantata Academica, Op. 62: 6. Et Gubernacula; 7. Ut Ad Longaeva Tempora is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantata Academica, Op. 62: 6. Et Gubernacula; 7. Ut Ad Longaeva Tempora by Benjamin Britten, Jennifer Vyvyan, Helen Watts, Sir Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra, George Malcolm is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Brandenburg Concerto No.5 in D, BWV 1050: 3. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | D Major | 2 | 10B | 116 BPM | ||
El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
Ma mère l'Oye, M. 60 (Version for Orchestra): V. The Fairy Garden (Le jardin feerique) | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | G Minor | 1 | 6A | 117 BPM | ||
Early One Morning | Traditional, Sir Peter Pears, Benjamin Britten | F♯ Major | 0 | 2B | 113 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Britten: An American Overture, Op. 27 | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 0 | 8A | 80 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | A♭ Major | 0 | 4B | 89 BPM |
Section: 0.7259554862976074
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