"Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk" by Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam was released on January 31, 1995. The duration of Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk is about 3 minutes long, at 3:15. Based on our data, "Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 11 in Debussy-Caplet: Children's Corner Suite by Andre Caplet. In terms of popularity, Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk by Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): III. Danse collective | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
Overture: May Night | Bournemouth Symphony Orchestra, Paavo Berglund | E Minor | 1 | 9A | 142 BPM | ||
The Song Of Spring: Op. 16 | Moscow Philarmonic Orchestra: Vassily Sinaysky | F Major | 2 | 7B | 85 BPM | ||
La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes | Hector Berlioz, Royal Concertgebouw Orchestra, Antal Doráti | D Major | 0 | 10B | 121 BPM | ||
Printemps, L. 61: I. Très modéré | Claude Debussy, Pierre Boulez, New Philharmonia Orchestra | G Major | 0 | 9B | 137 BPM | ||
Symphony No. 3 in C Minor, Op. 78, "Organ": II. Poco adagio | Camille Saint-Saëns, Charles Münch, Berj Zamkochian, Boston Symphony Orchestra | D♭ Major | 1 | 3B | 90 BPM | ||
Symphony No. 1 in D Major, Op. 25: IV. Finale. Molto vivace | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Soirees musicales, Op. 9: V. Tarantella | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 2 | 6B | 80 BPM | ||
24 Preludes, Op. 11: Prelude in C-Sharp Minor, Op. 11, No. 10 (Arr. V. Rogal-Levitsky) | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | D♭ Minor | 0 | 12A | 130 BPM |
Section: 0.7621665000915527
End: 0.7682013511657715