"Symphony No. 3 in C Minor, Op. 78, "Organ": II. Poco adagio" by Camille Saint-Saëns, Charles Münch, Berj Zamkochian, Boston Symphony Orchestra was released on February 1, 1993. Since Symphony No. 3 in C Minor, Op. 78, "Organ": II. Poco adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Saint-Saëns: Symphony No. 3 / Debussy: La Mer / Ibert: Escales". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Symphony No. 3 in C Minor, Op. 78, "Organ": II. Poco adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 3 in C Minor, Op. 78, "Organ": II. Poco adagio by Camille Saint-Saëns, Charles Münch, Berj Zamkochian, Boston Symphony Orchestra having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dolly, Op. 56: 5. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Les biches Suite, FP 36b: III. Rag-Mazurka | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Souvenirs, Op. 28 (version for orchestra): V. Hesitation-Tango (A Bedroom Affair) | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | A♭ Major | 0 | 4B | 177 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | ||
Gounod : Faust : Act 2 Entr'acte | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Minor | 0 | 4A | 82 BPM | ||
Piano Concerto in C Major, Op. 39: V. Cantico. Largamente - Live | Ferruccio Busoni, Sakari Oramo, Boston Symphony Orchestra, Kirill Gerstein | E Major | 3 | 12B | 58 BPM | ||
Harold en Italie, Op. 16, H 68: III. Sérénade d'un Montagnard des Abruzzes à sa maîtresse | Hector Berlioz, London Symphony Orchestra, Tabea Zimmermann, Sir Colin Davis | C Major | 2 | 8B | 77 BPM | ||
Peter Grimes Op. 33, PROLOGUE: Interlude I: Dawn | Benjamin Britten, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden | A Minor | 1 | 8A | 95 BPM | ||
Salome, Op. 54, TrV 215 / Scene 4: Salome's Dance of the Seven Veils | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 67 BPM | ||
Symphony No. 9 in E-Flat Major , Op. 70: I. Allegro - Live | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | C Minor | 2 | 5A | 130 BPM |
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