"Peter Grimes Op. 33, PROLOGUE: Interlude I: Dawn" by Benjamin Britten, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden was released on 1993. The duration of Peter Grimes Op. 33, PROLOGUE: Interlude I: Dawn is about 3 minutes long, at 3:19. Based on our data, "Peter Grimes Op. 33, PROLOGUE: Interlude I: Dawn" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 45 in Britten: Peter Grimes by Benjamin Britten, Bernard Haitink. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Peter Grimes Op. 33, PROLOGUE: Interlude I: Dawn is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter Grimes Op. 33, PROLOGUE: Interlude I: Dawn by Benjamin Britten, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Johnny: Tell me the truth about love | Benjamin Britten, Della Jones, Steuart Bedford | B♭ Major | 0 | 6B | 108 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
Fontane di Roma: IV. La fontana di Villa Medici al tramonto | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | A Major | 0 | 11B | 86 BPM | ||
Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig | Gustav Mahler, Berliner Philharmoniker, Bernard Haitink | D Minor | 2 | 7A | 99 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): V. Lullaby | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | A Minor | 2 | 8A | 82 BPM | ||
Symphony No. 4 in G Minor, Op. 14, "Sinfonia piccola": II. Andante - Tranquillo | Kurt Atterberg, Neeme Järvi, Gothenburg Symphony Orchestra, Sara Trobäck Hesselink | D Major | 0 | 10B | 88 BPM | ||
O Waly Waly | Traditional, Sir Peter Pears, Benjamin Britten | A Major | 0 | 11B | 86 BPM | ||
Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
Beni Mora, Op. 29, No. 1: I. First Dance | Gustav Holst, Royal Scottish National Orchestra, David Lloyd-Jones | E♭ Major | 0 | 5B | 78 BPM |
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