"Fontane di Roma: IV. La fontana di Villa Medici al tramonto" by Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra was released on 1985. With this song being about 5 minutes long, at 5:10, "Fontane di Roma: IV. La fontana di Villa Medici al tramonto" by Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Respighi: Symphonic Poems". In this album, this song's track order is #8. Fontane di Roma: IV. La fontana di Villa Medici al tramonto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fontane di Roma: IV. La fontana di Villa Medici al tramonto by Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique: V. Dream of a Witches' Sabbath, Larghetto - Allegro) | Hector Berlioz, Philadelphia Orchestra, Christoph Eschenbach | C Minor | 1 | 5A | 61 BPM | ||
Roman Carnaval, Op. 9, H. 95: Le carnaval romain, Op. 9 | Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin | A Major | 0 | 11B | 89 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 2. Adagio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | C Major | 1 | 8B | 80 BPM | ||
Stravinsky: Petrouchka, Tableau IV "La foire du mardi gras": Danse des nounous (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | C Major | 3 | 8B | 122 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): IV. Kitty-Valse | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E♭ Major | 0 | 5B | 92 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: V. Allegretto | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Minor | 2 | 3A | 147 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): V. Intermezzo | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 0 | 4B | 65 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM |
Section: 0.7286670207977295
End: 0.734259843826294