"Dolly Suite, Op. 56 (arr. H. Rabaud): IV. Kitty-Valse" by Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis was released on June 11, 1997. The duration of Dolly Suite, Op. 56 (arr. H. Rabaud): IV. Kitty-Valse is about 3 minutes long, at 3:00. Based on our data, "Dolly Suite, Op. 56 (arr. H. Rabaud): IV. Kitty-Valse" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 16 in Faure (The Best Of) by Gabriel Fauré. In terms of popularity, Dolly Suite, Op. 56 (arr. H. Rabaud): IV. Kitty-Valse is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dolly Suite, Op. 56 (arr. H. Rabaud): IV. Kitty-Valse by Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mascagni: Cavalleria rusticana: Preludio (Andante sostenuto) | Pietro Mascagni, Victoria de los Ángeles, Franco Corelli, Mario Sereni, Adriana Lazzarini, Corinna Vozza, Coro del Teatro dell' Opera di Roma, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 1 | 7B | 93 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo Philharmonic Orchestra, Oslo-Filharmonien | B♭ Major | 3 | 6B | 169 BPM | ||
Hungarian Dance No.17 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM | ||
Symphony in C Major, Op. 46: II. Sehr langsam - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | F Major | 0 | 7B | 90 BPM | ||
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | B♭ Major | 0 | 6B | 84 BPM | ||
Masquerade - Ballet Suite: 3. Mazurka | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A♭ Major | 3 | 4B | 94 BPM | ||
Symphony No.1 in D minor, Op.13: 2. Allegro animato | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | F Major | 0 | 7B | 94 BPM | ||
Pavane Op. 50 (orch. version, 1887) - 1993 Remastered Version | Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 130 BPM | ||
Horn Concerto No. 2 in E Flat Major, TrV. 283: Allegro | Richard Strauss, Ronald Janezic, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 77 BPM |
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