"Souvenirs, Op. 28 (version for orchestra): V. Hesitation-Tango (A Bedroom Affair)" by Samuel Barber, Royal Scottish National Orchestra, Marin Alsop was released on November 2, 2001. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 13 in Barber: Violin Concerto / Serenade for Strings / Souvenirs by Samuel Barber, Marin Alsop. The popularity of Souvenirs, Op. 28 (version for orchestra): V. Hesitation-Tango (A Bedroom Affair) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Souvenirs, Op. 28 (version for orchestra): V. Hesitation-Tango (A Bedroom Affair) by Samuel Barber, Royal Scottish National Orchestra, Marin Alsop is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Capricorn Concerto, Op. 21: II. Allegretto | Samuel Barber, Stephane Rancourt, John Gracie, Karen Jones, Royal Scottish National Orchestra, Marin Alsop | G Major | 0 | 9B | 62 BPM | ||
Excursions Op. 20: I. Un poco allegro | Samuel Barber, Israela Margalit | C Minor | 2 | 5A | 81 BPM | ||
Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon? | Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose | B♭ Minor | 1 | 3A | 153 BPM | ||
Miserere mei, Deus | Gregorio Allegri, The Choir Of Trinity College, Cambridge, Richard Marlow | G Minor | 0 | 6A | 77 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation 18 (Andante cantabile) | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM | ||
Capricorn Concerto, Op. 21: Allegro con brio | Samuel Barber, Christopher Hogwood | C Major | 2 | 8B | 127 BPM | ||
Jazz Suite No. 2: 6. Waltz II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 2 | 5A | 89 BPM |
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