Samuel Barber, Stephane Rancourt, John Gracie, Karen Jones, Royal Scottish National Orchestra, Marin Alsop's 'Capricorn Concerto, Op. 21: II. Allegretto' came out on November 11, 2004. The duration of Capricorn Concerto, Op. 21: II. Allegretto is about 3 minutes long, at 3:01. Based on our data, "Capricorn Concerto, Op. 21: II. Allegretto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 8 in Barber: Capricorn Concerto / A Hand of Bridge / Canzonetta / Intermezzo by Samuel Barber, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Capricorn Concerto, Op. 21: II. Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Capricorn Concerto, Op. 21: II. Allegretto by Samuel Barber, Stephane Rancourt, John Gracie, Karen Jones, Royal Scottish National Orchestra, Marin Alsop is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
American Suite: II. Danse | William Grant Still, Royal Scottish National Orchestra, Avlana Eisenberg | E Major | 1 | 12B | 71 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale (Sehr ruhig) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Concerto for Viola and Orchestra: III. Allegro moderato | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | D Minor | 1 | 7A | 92 BPM | ||
Magyar kepek (Hungarian Sketches), BB 103: Swineherd's Dance | Béla Bartók, Bournemouth Symphony Orchestra, Marin Alsop | E♭ Major | 0 | 5B | 162 BPM | ||
Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov) | Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | D Minor | 1 | 7A | 97 BPM | ||
Espada Suite: II. Boléro | Jules Massenet, Royal Scottish National Orchestra, Jean-Luc Tingaud | E Minor | 2 | 9A | 133 BPM | ||
Concerto for Flute and Orchestra, Op. 39: Concerto for Flute and Orchestra, Op. 39: I. Moderato | Lowell Liebermann, Katherine Bryan, Royal Scottish National Orchestra, Paul Daniel | B♭ Major | 1 | 6B | 98 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | G Major | 4 | 9B | 169 BPM | ||
L'enfant prodigue (The Prodigal Son), Op. 46: Scene 1: L'enjoleuse (The seductress) | Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | E♭ Major | 1 | 5B | 108 BPM |
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